Graeme “Mr Goody” Goodall who, despite being a white Australian, was one of the early legends of Jamaican recording engineering. John Hassell just liked the sound of the music particularly the heavy dub sound: “It’s an esoteric world, it’s a world of subtlety and refinements.”
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And someone who was sympathetic to the frequencies would know how to capture that sound from the tape and onto the disc and John was the master of that” You can have a fantastic sounding thing on the tape and then it all falls to pieces at the cutting end of things. And then we were telling other people listen that we’d found the guy that knows how to cut reggae. And his wife Felicity offered us a cup of tea, a cup of coffee and then we’d put on these tapes, this like reggae.” This picture is a screen grab and shows John and Felicity meeting clients (please excuse the poor quality, photos of the Hassells are elusive):īovell continued: “Imagine stumbling on that through the yellow pages like. And we’d go into his house, his living room and he’s got this wonderful German disc cutting lathe set up in his front room. Gone over there, (found) an elderly gentleman who was famed for smoking a big fat cigar: John Hassell. In 1977 Dennis Bovell who was a leading figure in UK Reggae came into his life.īovell explains in the documentary: “Whilst thumbing through the yellow pages one time looking for a place to cut an acetate I found Hassell Recordings. This is an example of a John Hassell Recordings label from his company which is explained in more detail here. He was a jobbing recording and mastering engineer who had a small label of mainly middle of the road (and unsuccessful) artists. So while Hendrix, Led Zeppelin, The Rolling Stones and The Eagles were working in one street, John Hassell was working with a different clientele in the next. Olympic Studios was just round the corner in Church Road. It’s output was to feed British Reggae Sound Systems throughout the country. The John Hassell Recordings studio was based in a residential house in a quiet street – Nasser Roaud – in the area. One story that leapt out from the documentary (at about 46 minutes in) is of strange goings on in the leafy London suburb of Barnes. It’s not available on YouTube but until it is shown again on the BBC, you can currently see it here. The Reggae Britannia film is particularly good.
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There is a brilliant series of BBC documentaries under the heading of “- Britannia” where the history of a particular genre in the UK is traced from origins through to where it sits now. Reggae was similarly absorbed and reinvented and this process was often led by the children of the original Jamaican immigrants. Britain’s pop tendencies have often been to take music from the west (usually America) and re-imagine it and sell it to the world. Reggae, and its predecessors like Ska, naturally seeped into the UK via the communities of immigrants who had come to the country from Jamaica since the late 1940’s. This album also entered the Billboard Independent albums chart peaking at 38.Britain had developed a strong Reggae culture of its own by the mid-1970’s. It spent 3 consecutive weeks on the charts going from 1 to 5 then up to 3 as the charts greatest gainer for the week of 16 September 2017. This fifteen track album released by Giddimani Records, debuted at number 1 on Billboard's Reggae Albums chart for the week of 2 September 2017. On 7 July 2017, Perfect Giddimani released his 11th studio album titled Live My Life Again. This EP was produced by Giddimani Records, founded in late 2009 by Rose, in collaboration with Chalice Row Unlimited based in California. In April 2017, Perfect Giddimani was featured on Young Shanty's EP titled Chalice Row or Dig a Hole which debuted on Billboard's Reggae Album Charts at Number 1.
The Austrian record label Irie vibrations released his second album Born Dead With Life, in 2008. He released his first album Giddimani, the next year. The first song that highlighted his name was "Lock Me Up" in 2004 but his break through came with "Hand Cart Bwoy" in 2005. He attended York Castle High School before relocating to Kingston. It was for this sound system that he recorded his first set of dubplates.
Perfect Giddimani began deejaying on a sound system called "Trend Setter" which originated in Bamboo where he lived. Perfect Giddimani portrait © Taylor Sperring
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